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| ARTIST: | Felix Kelly |
| DATES: | New Zealand 1914 - 1994 |
| TITLE: | A Square in Venice |
| MEDIUM: | Oil on board |
| SIZE: | 20 x 30.5 cm |
| REMARKS: |
Inscribed verso: "Merchant of Venice, Square in Venice, the Old Vic". Exhibited: Hawkes Bay Museum, Napier (2008 - 2009) Dowse Art Gallery, Lower Hutt (2009) Gus Fisher Gallery, Auckland (2010) |
| $NZ: | Category D |
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Felix KELLY New Zealand 1914 – 1994 A businessman's son, Felix Kelly was born in Auckland on 3rd February 1914. In 1939 he moved to London, where he worked as a graphic artist and designer for Lintas, the advertising wing of Unilever. During the Second World War he served in the Royal Air Force and was commissioned as a navigating officer, concerned with the delivery of fighters to operational units. In his spare time he began to paint seriously, holding his first solo exhibition at the Lefervre Gallery in 1943. The same year he received his first important book commission; Herbert Read's The Green Child. An early enthusiast for Kelly's work, Read introduced him to a number of significant clients and wrote a foreword to Paintings by Felix Kelly (1948). Kelly began to exhibit bi-annually at Partridge Fine Arts in Bond Street; his work was collected by American clients, and he subsequently exhibited in New York and Washington. Handsome and charming, Kelly was popular socially and spent much of his time like a latter-day Augustus Hare, staying at grand country houses. He embellished or redesigned many of these houses for friends and clients. At Castle Howard he designed the 'Kelly car', a little fairground-style train for conveying visitors round the grounds. At Henbury Hall he gothicised 'The Cave' for Sebastian de Ferranti and played a key role in the design of the new Villa Rotunda built there in 1985. At Cornhill-on-Tweed, Kelly designed a Gothic dowerhouse for Sir Michael Blake. His main work however was the remodelling of Highgrove, Gloucestershire for the Prince of Wales. He refaced the gawky Victorianised facades, giving them new plastered and pedimented frontispieces in the manner of Francis Keck, successfully returning the house to its original Georgian character. Kelly’s other decorative work ranged from murals in a number of Union Castle and Cunard liners to the interior of the new Royal palace for the King of Nepal in Kathmandu. Kelly also designed for the stage, including the sets of A day by the Sea at the Haymarket, Lennox Berkeley's opera Nelson at Sadlers' Wells, The Merchant of Venice at the Old Vic and Enid Bagnold's The Last Joke at the Phoenix. All of his works were meticulously executed, with precisely realised architecture set against misty landscapes of drooping ivy-swathed trees or craggy peaks. In the foreground might be steam trains, canal barges, or a red-and-white striped deckchair. The latter was something of a trademark, but was not always met with the approval of his more literal-minded clients. "That will have to come out," said one on seeing a deckchair in Kelly's view of his house, "I never allow anything to be put on my lawns." VICTORIA BAYLY |
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| Jonathan Grant Galleries Ltd 280 Parnell Rd, Parnell, Auckland, New Zealand. Telephone +64-9-308 9125 Email jonathan@jgg.co.nz |
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